Vixon's Office Relocation

Vixon's Office Relocation marks the point at which Yohan converts his personal disgust and damaged trust into an institutional decision. Rather than continuing to place Vixon beside Kazumi in the shared sixth-floor office, Yohan proposes moving him to a vacant room elsewhere on the floor. The relocation is presented as a practical solution to an intolerable proximity, but its deeper force is disciplinary: Vixon is no longer treated as a trusted colleague, and the office itself becomes a boundary separating him from the people and influence he previously occupied.

Causes and Background

The proposal emerges from Vixon's collapse in Yohan's favor. After Vixon's manipulation and wrongdoing have been exposed, Kazumi and Yohan can no longer regard his presence as ordinary workplace inconvenience. Yohan describes the awkwardness of keeping Vixon in the same office as Kazumi, especially because Vixon had once been Kazumi's crush and is now understood as deceptive and driven by money. The relocation therefore responds to both professional betrayal and personal contamination: a shared room would force Kazumi to work beside someone associated with humiliation, while Yohan would have to tolerate the continued physical presence of a former favorite who has become an adversary.

The company setting already operates through controlled access and concealed spaces. The fifth floor is treated as a restricted area, and Kazumi explains that only one person knows what is there, including a room where that person sometimes sleeps. Against this background, changing Vixon's office is more than a change of furniture or address. The building's floors regulate who may approach whom, what can remain hidden, and which relationships are permitted to remain physically close. Vixon's reassignment extends that spatial logic into the aftermath of his punishment.

What Happens

Yohan first identifies a vacant room on the eighth floor as a possible destination, but Kazumi points out that such a move would place Vixon above their sixth-floor office and would not necessarily resolve the uncomfortable arrangement. The exchange carries a mocking tone: Yohan imagines the absurdity of sharing an office with Kazumi's former crush and a proven deceiver, while Kazumi asks whether another vacant room is available. The joking language does not erase the seriousness of the decision; it gives the injured pair a way to reclaim control over a situation that Vixon had previously manipulated.

After work, Yohan asks Kazumi to accompany him to inspect the available rooms. They tour the entire sixth floor and find a vacant office. That room becomes Vixon's new location. The choice is significant because it keeps Vixon within the company while removing him from the intimate working space he shared with Kazumi and Yohan. He is not immediately erased from the organization, but his access to their daily environment is reduced and his former position of closeness is revoked.

Yohan then makes the punishment deliberately humiliating. When Kazumi asks whether Vixon knows about the decision, Yohan says that he will wait until Vixon enters the office and tell him that he no longer belongs there, leaving him to discover the new office himself. The relocation thus includes an element of surprise and public loss of status. Vixon is expected to learn, through a direct rejection at the door, that the space he occupied has ceased to recognize him as part of its community.

Consequences and Aftermath

The relocation gives Kazumi and Yohan a shared physical space free from Vixon's immediate presence. It also reinforces their renewed alliance: they inspect the floor together, settle on the vacant room together, and treat the decision as a joint restoration of boundaries. The office becomes a small institutional sanctuary for their relationship, while Vixon's new room embodies his diminished standing and separation from the pair.

The change does not end Vixon's threat. His exclusion from the shared office intensifies rather than resolves the conflict. He remains capable of pursuing revenge, and the wider plot shows that violence continues to move through the company's spatial network. Kazumi is later working alone after lunch while Yohan attends a meeting when Vixon appears at the office door with harmful intentions. The earlier relocation has protected neither the office nor Kazumi permanently; it has instead made the workplace a contested map in which Vixon's access, resentment, and capacity for intrusion remain active.

The same pattern expands beyond the office. Vixon plans to hide bombs in Yohan's garden during Yohan's date with Kazumi, intending to kill them for Yohan's money. When Yohan reaches the garden, he finds it already destroyed and surrounded by caution tape, with no CCTV in the area to identify who bombed it. The absence of surveillance echoes the office's controlled but imperfect visibility: spaces are assigned, restricted, and monitored unevenly, yet none can guarantee safety. Later, Vixon's return becomes openly lethal when he reaches Yohan, pulls him away from the partly open door of the room where Kazumi is holding baby Kenzie, and points a gun at his head. The office relocation is therefore an early, administrative form of exclusion within a conflict that eventually breaks through every spatial boundary.

Narrative Significance

Vixon's Office Relocation translates emotional judgment into architecture. Yohan cannot simply declare that Vixon is no longer trusted; he changes where Vixon may work, whom he must encounter, and which room can be understood as his. The value shift is from apparent belonging to enforced exclusion, and the mechanism is spatial rather than purely verbal. A floor plan records the collapse of a relationship with unusual bluntness.

The event also contrasts temporary control with continuing danger. Yohan and Kazumi succeed in finding a vacant office and separating Vixon from their shared room, yet Vixon's later return demonstrates that distance is not the same as safety. The company's floors, the restricted fifth-floor room, the office where Kazumi works alone, and the garden without CCTV all show how the narrative repeatedly turns location into an instrument of secrecy, intimacy, surveillance, and attack. Vixon's reassignment matters because it is both a consequence of his exposure and a failed attempt to contain the conflict he has helped create.